<span data-sheets-value="{"1":2,"2":"Microphone Preamplifier:nnMic Gain Range: 58dBnLine Gain Range: 58dB (-10dB pad)nPhantom Power: 48v +/-4v @ 10mA/ChannelnMic EIN: 80dB @ 1kHznMaximum Input Level: +16dBunInput Impedance (Mic): >3kO BalancednInput Impedance (Line): >10kO BalancednFrequency Response: +/-0.5dB 10Hz to 40kHznCrosstalk: <-105dBu @ 1kHz <-103 @ 10kHznTHD+N @ 0dBu (1kHz): <0.0015%nSNR: 100dBnXLR: Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield)n1/4” Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield)nD.I Inputs:nnD.I Gain Range: 58 dBnMaximum Input Level: +10dBunInput Impedance: 500knFrequency Response +/-0.5dB 10Hz to 20kHznTHD+N @ 0dBu (1kHz): <0.1%nSNR: 100dBn1/4” Jack: TIP (Hot) & SLEEVE (Shield)nLine Outputs:nnMaximum Output Level: 12dBunDigital Reference Level: 0dBFS = +12dBunOutput Impedance: <50OnFrequency Response: +/-0.5dB 10Hz to Fs/2nCrosstalk: <-110dBu @ 1kHznTHD+N @ -1dBFS (1kHz): 117dB A-weightedn1/4” Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield)”}” data-sheets-userformat=”{“2″:769,”3”:{“1″:0},”11″:3,”12″:0}”>Microphone Preamplifier:
Mic Gain Range: 58dB
Line Gain Range: 58dB (-10dB pad)
Phantom Power: 48v +/-4v @ 10mA/Channel
Mic EIN: <-127.5dB
CMRR: >80dB @ 1kHz
Maximum Input Level: +16dBu
Input Impedance (Mic): >3kO Balanced
Input Impedance (Line): >10kO Balanced
Frequency Response: +/-0.5dB 10Hz to 40kHz
Crosstalk: <-105dBu @ 1kHz <-103 @ 10kHz
THD+N @ 0dBu (1kHz): <0.0015%
SNR: 100dB
XLR: Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield)
1/4” Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield)
D.I Inputs:
D.I Gain Range: 58 dB
Maximum Input Level: +10dBu
Input Impedance: 500k
Frequency Response +/-0.5dB 10Hz to 20kHz
THD+N @ 0dBu (1kHz): <0.1%
SNR: 100dB
1/4” Jack: TIP (Hot) & SLEEVE (Shield)
Line Outputs:
Maximum Output Level: 12dBu
Digital Reference Level: 0dBFS = +12dBu
Output Impedance: <50O
Frequency Response: +/-0.5dB 10Hz to Fs/2
Crosstalk: <-110dBu @ 1kHz
THD+N @ -1dBFS (1kHz): <0.006%
Dynamic Range: >117dB A-weighted
1/4” Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield)
Our analogue mic preamp has been designed to deliver the most accurate, clean and true to source version of your audio, no matter what you’re recording. Say hello to the preamps your studio needs.
Fire your studio into the 21st century with our powerful EVO Preamp technology. Combining all the sonic advantages of a studio-grade analogue mic preamp with digitally controlled tactile precision, the EVO Preamp gives you the ability to set your gain with pin-point accuracy, right down to the decibel.
In the studio, sound is everything and EVO SP8’s high performance AD/DA converters use 32-bit technology to make sure you hear your audio accurately at all times, whether you’re recording music or sending audio to your favourite outboard gear and back when mixing. Better converters mean better audio – helping you make creative decisions confidently, identify issues and improve your overall recording and mixing game.
Make recording drums and larger sessions easy with Smartgain. Automatically set the gain for all eight channels at once with a simple touch of a button. Powered by our lightning quick Smartgain algorithm, Smartgain uses advanced peak analysis to automatically analyse, adjust and set your gain to the perfect levels – all in less than 20 seconds! Now it’s up to you to figure out what to do with all that time you’re saving…
Working Solo?
Record, adjust levels, repeat. Sound familiar? Save time and make recording on your own a breeze and gain the power to save time with Smartgain. Simply set up your mics, hit Smartgain, start performing and EVO SP8 will take care of the rest.
Become more efficient in the studio. Unleash Smartgain’s capabilities by pairing two EVO SP8’s with an EVO 16 audio interface and get 24 channels of Smartgain enabled mic preamps. Yes, with an EVO Expanded system that’s 24 channels at once… light years ahead of the competition.
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