sE2300 Multi Polar Pattern Condenser Microphones

Classic sound, by any standards. The sE2300 is the latest multi-pattern version of the award-winning 2200 condenser microphone that put sE Electronics on the map many years ago with its smooth, polished sound for vocals, voiceovers, and numerous instrumental applications

35,980

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Features & Compatibility

Meet the sE2300: The versatile classic from sE.
Classic sound, by any standards. The sE2300 is the latest multi-pattern version of the award-winning 2200 condenser microphone that put sE Electronics on the map many years ago with its smooth, polished sound for vocals, voiceovers, and numerous instrumental applications. The cardioid version grew famous through use with world-class vocal artists like Amy Winehouse, and this multi-pattern version only increases its versatility, enhancing its usefulness for any instrument and reviving the spirit of the world’s most classic studio microphones.

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HANDCRAFTED 1″ TRUE CONDENSER CAPSULE
Built like the world’s finest musical instruments, every capsule is hand-crafted and individually tuned in our very own factory in Shanghai – and unlike other microphones with backplate or electret designs, the sE2300 features a true externally polarized condenser capsule, and therefore delivers the best possible performance in every aspect.

TRADITIONAL CLASS-A ELECTRONIC DESIGN
Its carefully selected, discrete components ensure brilliant sound quality on any source. The sE2300’s design still avoids using any ICs (integrated circuits) and is built to excel – not to a standard. Low noise, consistent performance and high sensitivity is provided by state-of-the-art surface-mounted electronic components with extremely tight tolerances.

THREE SELECTABLE POLAR PATTERNS
The 3-position Pattern Switch is located on the rear side of the microphone, and allows the sE2300’s polar pattern to be changed from omnidirectional to cardioid to figure-eight. This allows for great control over the balance between direct and ambient sound.

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TWO SWITCHABLE LOW-CUT FILTERS
Selectable at either 80Hz or 160Hz, these two filters help eliminate low-frequency

rumble or footfall noise, as well as help

compensate for excessive bass

(proximity effect) with close-mic techniques.

TWO SWITCHABLE ATTENUATION LEVELS
The -10 dB and -20 dB pad switches provide extended dynamic range, enabling a wide variety of applications and close-mic techniques for even the loudest instruments…think super-heavy

electric guitars, fortissimo brass instruments, and heavy-footed kick drums.

1k OhmsnCurrent consumption 4.8 mAnConnectivity 3-pin male XLR connector”}” data-sheets-userformat=”{“2″:769,”3”:{“1″:0},”11″:3,”12″:0}”>SPECIFICATIONS
Capsule Type Hand-crafted 1″ True Condenser
Polar Pattern Cardioid, Omni-directional, Figure-8
Frequency range 20 Hz – 20 kHz
Sensitivity 24 mV/Pa (-32.5 dBV)
Max SPL 126 / 136 / 146 dB (0/10/20 dB pad) (0.5% THD @ 1kHz)
Equivalent noise level 9 dB(A)
Dynamic range 117 / 127 / 137 dB (0/10/20 dB Attentuation pad)
Signal to Noise Ratio 85 dB
Low-cut filter 80 / 160 Hz, 6 dB/Oct, switchable
Attenuation Pad 10 / 20 dB, switchable
Powering 48 Volts according to IEC 61938
Electrical Impedance 40 Ohms
Recommended load impedance >1k Ohms
Current consumption 4.8 mA
Connectivity 3-pin male XLR connector

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